Monday, 10 October 2016

Week Twelve

Annie Lebovitz




ABOUT HER

born October 2, 1949) is an American portrait photographer. She photographed John Lennon on the day he was assassinated, and her work was used on two record albums by Joan Armatrading. She is the only woman to have held an exhibition at London’s National Portrait Gallery.
Leibovitz is much influenced by Richard Avedon, and his 'personal reportage', developing close rapport with her subjects.
Dancers Mikhail Baryshnikov and Rob Besserer. Photo by Annie Leibovitz.
5. Dancing Series: In 1990, Leibovitz spent three weeks in Florida shooting dancers, including Mikhail Baryshnikov and Rob Besserer. Leibovitz had been approached to photograph several dancers, and ended up staying on the project for three weeks because dancing reminded her of her mother.
"My mother was a dancer, and taught dancing, so I grew up with dance. So you can imagine what it would have been in my work to photograph dance," she said. "[For these photos] Misha's knees were not in the best shape."
Susan Sontag shot by Annie Leibovitz in Paris.
4. Portraits of Susan Sontag: Leibovitz said some of her most important work was a series of photos she took of her partner, essayist Susan Sontag. She said Sontag had extremely high expectations for the photos, which Leibovitz found frustrating. After Sontag died of Myelodysplastic syndrome in 2004, Leibovitz looked back at photos and said she was proud.
John Lennon and Yoko Ono, taken by Annie Leibovitz on the day Lennon was shot.
Leibovitz also displayed a photo she took of John Lennon and Yoko Ono, which covered Rolling Stone shortly after he was murdered. Leibovitz described herself as being "perplexed" with the photos after, but said some shoots just figure themselves out.
"The '80s were not a romantic time and I asked [John and Yoko] to crawl up together. I wanted them both to be naked, but Yoko wouldn't take off her pants so I said, 'why don't you keep everything on?' In those days, you pull a Polaroid and the three of us knew right away it was good," she said. "I was sent to get John for the cover, not Yoko, because there was still a lot of resentment [towards her]. But when I got there, John said he wanted Yoko on the cover... When he was killed, I went to Rolling Stone and they were mocking up the film. I told them the story and so they put that photo on the cover."
Artist Keith Haring, camouflaged. Photo by Annie Leibovitz.
3. Conceptual portraits of artists: After leaving the Rolling Stones, Leibovitz returned to shooting magazine covers, and began to develop her own sense of style. Instead of plain portraits, Leibovitz would create pun-like images with her subjects; she shot actress Bette Midler in a bed of roses, for example, after she starred in the 1979 film The Rose.
Nixon's helicopter leaving the White House in 1972. Photo by Annie Leibovitz.
1. President Nixon's last day in office: Leibovitz was on the scene at the White House the day President Richard Nixon resigned from office in 1974. She said all the other photographers had put down their cameras at that point, but she was looking to capture moments before or after "the moment."
A showgirl in Las Vegas. Photo by Annie Leibovitz
6. Photos for the "Women" book: Sontag originally presented Leibovitz with an idea to shoot women, but Leibovitz said the topic was too broad. She then flew to Las Vegas to shoot showgirls, and said she developed an idea to photograph the women she saw, before and after, in costume.
Abraham Lincoln's gloves. Photo by Annie Leibovitz
8. "Pilgrimage" abstract series: While Leibovitz stuck with portrait photography most of her life, she did catalog abstract images that belonged to iconic historical figures, including Abraham Lincoln's leather gloves, Virginia Wolf's writing table, Marian Anderson's dress, and Emily Dickinson's house.

Annie's works is very subjective and yet distinguish because she photographs important phase of historical events and life. It could be an ordinary photo but each represents some vital part of the history. Furthermore, she is a female photographer who is successful and I adore. What I see from her works, is that she observes and travel around a lot. That is why she has these variety of subjects to photograph about. Therefore, travel to let yourself gain exposure and insights. You might gain unexpected results for photographing. 

Week Eleven

Gregory Crewdson




ABOUT HIM

Born in September 26, 1962. An American photographer and mainly photographs tableaux of American houses and neighbourhoods.




This is one of my favorite shot out of all his works. Firstly, there is a much things happening in this photo. There are so many questions I ask myself when I look at this photo. Why is the women lying there? Why is the house flooded with water and why is she floating on the water inside of sinking. How deep is the flood? What happened in the process before this happened.













I would say he is one of my favorite photographers. His works are so unique because back at that time, not many people would go for a planned out photo shoot. Usually, they are street photography which are realistic and candid. However, in this case this photographer he plans out his shoots. He plans out every detail of the photograph. From the settings/place, props, subject, lightning. Which is a lot of work done because every detail has to be taken into consideration.

Every photo tells a different story. Even though it is a plan out shoot but it is as real as what you could get off candid/street photography. The photos reflects reality. It really does reflects what happens indoors and in the neighbourhood. What actually made me like his work because I watched a documentary of how he carried out his shoots. Which I felt so amazed at the amount of manpower he has and work done behind the scenes.

What I find most fascinating about is how Gregory thinks and plan out an image like this. Like what sparks him off to create such images and is there a meaning behind all these images. It is really fascinating how he thought of a final image outcome and execute it. I believe all of such mindsets and ideas he had comes from his everyday observations in the neighbourhood.  Thus, he was able to capture the true reality of the area despite being planned out.

Week Ten

Steve Mccurry




ABOUT HIM

Born 24 February 1950.
 is an American photographer that has worked in photojournalism and editorial. He is best known for his 1984 photograph "Afghan Girl" which originally appeared in National Geographic magazine. McCurry is a member of Magnum Photos.
McCurry is the recipient of numerous awards, including Magazine Photographer of the Year, awarded by the National Press Photographers Association; the Royal Photographic Society's Centenary Medal;[3] and two first-place prizes in the World Press Photo contest (1985 and 1992).



















From my observations about his works, he always takes human portraits as subject.
He focused on the subject's pupil which makes him photos distinctively detailed and focused. Plus, his shoot subject has a range of diversity of people from different countries and occupations. The expression given off by the subject is very candid, realistic but yet a formal shot. I believe his speaks to his subjects before taking pictures of them. Like he would chit-chat with them for a little bit, get conversations running. Meanwhile, his subjects would eventually feel comfortable talking and that moment is when their emotions are on their faces.

Week Nine



Sebastião Salgado

Documentary Photography

ABOUT HIM

Born in February 8, 1994 as a Brazilian social documentary photographer and photojournalist. He has traveled in over 120 countries for this photographic projects. Most of these have appeared in numerous press publications and books. Touring exhibitions of this work have been presented throughout the world.



Establishment Shots


Establishment shots 
- However, he did not capture the whole environment for this establishment shot. Yet, framing one part of the environment is still able to bring across how huge this place is.


This is a slightly close up shot of the environment but with a subject in it.

A nicely composed and balanced photograph. A slightly close up shot as of the environment.

Detail Shots
- A strong message brought across in this photo. 
He took it at the right moment when they were arguing.

- Close up shot of the workers

The detailed shot of what the works do in their jobs

The main shot
- The characters/subject of his photography. 
- He captured this photography with a story behind because to the tribes, such bizarre things to us is beauty to them. So it brought across the message that everyone had different point of view about beauty. While to others their definition of beauty is bizarre to us.

Main shot
- A solo shot of one of the workers. 
A simple shot of the man but we could tell/know that he is one of the workers there.

Detailed/ conclusion shots
- This is also a close up detailed shot of the whole environment.
However, can also be seen as concluding shots.





This way of framing is the photograph as a concluding shot is nice. As this photo had elements of art such repetition and pattern which makes the photograph visually balanced.


I love his photographs and his style because I could foresee some of the shots reflect on some of my self-taken photographs as well. He also chooses places, people and event which has huge impact on the audience when viewing. The photographs could reflect tragic and tough life. The way he edited his photos is intense which brought across every details of place. The black and white edit had a monotone effect on the photograph. However still able to bring across the strong message behind it.

Week Eight

Michael Kenna



ABOUT HIM

Born in 1953. His is an English photographer, best known for his black & white, unusual, landscapes with ethereal light achieved by photographing at dawn or at night with exposures up to 10 hours.










His works are very simple and minimal. Simple monotone coloured. However, he take each photos with long exposure which makes the sky of the photo very beautiful. Almost like a painting. Very little subject but the way he frame his photos are visually balanced. 

Week Seven

Edward Burtynsky




ABOUT HIM

Born February 22, 1955. A canadian photographer and artist known for his large-format industrial landscapes. His works is being housed in more than 50 museums including the Guggenheim Museum, The National Gallery of Canada and  the Bibliotheque Nationale, Paris.









His works are usually in this large scale form. There are a lot of repetition and patterns in his photos. He has the eyes for seeing things are a whole and a pattern he made out of. I applied this technique when taking my photos as well. His photos has a unique style which makes the photo not look like a photo. It's like a abstract painting.